Presented in the frame of the Ars Electronica Festival 2014 FRI, Sept. 5 & SAT, Sept. 6, 2014, 5 PM Ars Electronica Futurelab, Studio Max. 50 persons (registration form tbd) With the second micro-performance of the art-based research project (St)Age of Participation, Klaus Obermaier and the Ars Electronica Futurelab have recourse to a historical movement Continue Reading
Based on the experiences drawn from the (St)Age of Participation project so far and our analyses of the micro-performance 1, we have written a research paper that is published in the journal Digital Creativity this month. Lindinger, C., Mara, M., Obermaier, K., Aigner, R., Haring, R., & Pauser, V. (2013). The (St)Age of Participation: audience Continue Reading
With “Letterbox”, the first series of micro performances has been successfully conducted at the Ars Electronica Center’s Deep Space. A test audience of more than 150 people participated in these events, exploring multi-media, interactive and three-dimensional technologies for stage performances of the future. After a period of reflection, a second micro performance will be developed Continue Reading
Together with choreographer Klaus Obermaier, the Ars Electronica Futurelab is currently carrying out research on multimedia, interactive and three-dimensional technologies for stage performances of the future. On the following evenings we would like to try out our developments in the form of a test performance in the Deep Space (Ars Electronica Center, EG) and invite Continue Reading
Photo-Impressions of the Pixelspaces Conference – Panel 4 “Re-Scripting the Stage” at the Ars Electronica Festival (2011 theme: Origins) in Linz. Participants: Martina Mara (Researcher, Ars Electronica Futurelab / AT) Roland Haring (Senior Research Lead – Interaction Ecologies, Ars Electronica Futurelab / AT) Klaus Obermaier (Media Artist and “(St)Age of Participation” project leader / AT) Johannes Continue Reading
