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Presented in the frame of the Ars Electronica Festival 2014 FRI, Sept. 5 & SAT, Sept. 6, 2014, 5 PM Ars Electronica Futurelab, Studio Max. 50 persons (registration form tbd) With the second micro-performance of the art-based research project (St)Age of Participation, Klaus Obermaier and the Ars Electronica Futurelab have recourse to a historical movement Continue Reading

Based on the experiences drawn from the (St)Age of Participation project so far and our analyses of the micro-performance 1, we have written a research paper that is published in the journal Digital Creativity this month. Lindinger, C., Mara, M., Obermaier, K., Aigner, R., Haring, R., & Pauser, V. (2013). The (St)Age of Participation: audience Continue Reading

1st Micro-Performance Successfully Presented

With “Letterbox”, the first series of micro performances has been successfully conducted at the Ars Electronica Center’s Deep Space. A test audience of more than 150 people participated in these events, exploring multi-media, interactive and three-dimensional technologies for stage performances of the future. After a period of reflection, a second micro performance will be developed Continue Reading

Test Audience for Interactive Performance Wanted!

Together with choreographer Klaus Obermaier, the Ars Electronica Futurelab is currently carrying out research on multimedia, interactive and three-dimensional technologies for stage performances of the future. On the following evenings we would like to try out our developments in the form of a test performance in the Deep Space (Ars Electronica Center, EG) and invite Continue Reading

Impressions – Pixelspaces

Photo-Impressions of the Pixelspaces Conference – Panel 4 “Re-Scripting the Stage” at the Ars Electronica Festival (2011 theme: Origins) in Linz.   Participants: Martina Mara (Researcher, Ars Electronica Futurelab / AT) Roland Haring (Senior Research Lead – Interaction Ecologies, Ars Electronica Futurelab / AT) Klaus Obermaier (Media Artist and “(St)Age of Participation” project leader / AT) Johannes Continue Reading

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